![]() |
![]() |
THE MUSEUM GARDEN |
|
|
The museum garden shows several features often found in his designs: stone paving, herringbone brick paths, old mill stones, dry stone walls and broad curving steps.
Miss Jekyll made regular use of a wide range of plants with certain favorites of her own: lavenders, bush and rambler roses, clematis, lilies, hollyhocks, stachys and pintos with clipped yew and ferns. Scent was important to her as were the massing and sweep of colours; textures and shapes were carefully considered and harmonised. All were directly related to the constraints and opportunities of the overall design and the spaces available. |
||||
![]() |
![]() |
![]() |
![]() |
![]() |
When they first began to work together both would visit the site; as Lutyens's work took him further and further away from Surrey he would survey the future garden and send the details to Miss Jekyll for suggestions and later to work out the planting plan. Often the plants would be sent from her own garden's nurseries at Munstead Wood, as her meticulous notebooks, preserved in Godalming Museum, indicate. Overall, the partnership resulted in the blending of the formal and natural garden philosophies of the period.
In 1905 Lutyens designed a small house, Millmead, in Bramley as a speculation for Miss Jekyll, her own planting scheme for the garden is one of the few that remain. It is this and Lutyens's delightful Summerhouse there that provided the inspiration for the Godalming Museum garden, which has been designed by Michael and Frances Edward's with the advice of Jane Brown, and built with funds donated by the Hamamelis Trust. |
||||
If you would like to know more about Gertrude Jekyll and Sir Edwin Lutyens, then please read on... (Five more pages) | ||||
[Home Page] [Museum Details] [Museum Tour] |